@Steve
Gladly. Prep the paracord as follows:
- Cut a piece of paracord about as long as you are tall.
- Tie a stopper knot (1/2 hitch, Squareknot, etc...) at one end.
- Tie a slipknot in the other end so the tail of the slipknot adjusts the size of the loop.
- Stand on the end with the stopper knot and locate the slipknot so that it is about shoulder height when the rope is taught.
To take the Pano frames:
- Put the loop around our lens, snug it up around the middle of the barrel.
- Drop the knotted end to the ground, let it hang plumb, step on it.
- Hold Camera in Vertical/Portrait orientation, Focus and frame the left most shot of the pano. Take picture.
- Keeping the cord taught, and plumb pivot around the cord to the right until whatever was center right edge is now centered in the viewfinder. Take picture.
- Keeping the cord taught, and plumb pivot around the cord to the right until whatever was center right edge of the previous photo is now centered in the viewfinder. Take picture.
- Repeat Step 5 until you have the frames you need for your pano. Be sure to get an extra frame on each end.
- Take a pic of your finger or lens cap to mark the end of the pano.
- Use your favorite pano stitching software to stitch the pano together. (I've used Lightroom select the frames, <Ctrl/Cmd>+M, Merge to pano in Photoshop or hugin http://hugin.sourceforge.net/ )
This works well for single row panos as long as you have a static scene and nothing too close in the foreground. With some practice it can be used for multi-row panos as well (by tilting the camera within the loop then pivoting around)
Here is an early example of my results, 6 frames Shot with a Fuji s3Pro and the Nikon 70-300mm at 70mm, from Boreas Pass CO
View attachment 36380
Basically out of LR with some Cropping to get rid of some waviness around the edges.
Here is another from Trail Ridge Road in RMNP about a year later, same gear, 15 frames (Orig 26,562x4449 pixels):
View attachment 36382
You can see that I forgot to take the camera off Aperture priority mode and the exposure got off in the middle. This can be fixed with a little work in PS or LR but I wanted to show an example of the untouched stitch from LR. The waviness in the sky boarder can be repaired with PS/Content Aware fill and I'd likely crop the bottom off.
Let me know if you have any questions.
Boort